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Albrecht Durer Head of a boy facing toward the left mk168
223x181mm
Paris
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Albrecht Durer Portrait of a woman with Loose Hair mk168
256x217mm
Watercolor on canvas
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Albrecht Durer Portrait of a boy with a long beard mk168
552x278mm
Watercolor on canvas
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Albrecht Durer Vision of a Cloudburst mk168
300x425mm
1822
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Albrecht Durer Young Woman in Prayer with Loose Hair mk168
1497
Oil on canvas
56x43cm
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Albrecht Durer The Madonna with the Iris imitator of Albrecht Durer mk168
149x117
1508
Oil on canvas
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Albrecht Durer The Head of St.Paul mk168
1526
354x288mm
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Albrecht Durer Albrecht Durer-s Four Apostles mk168
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Albrecht Durer Albrecht Durer-s Four Apostles mk168
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Albrecht Durer Albrecht Durer-s Four Apostles mk168
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Albrecht Durer Albrecht Durer-s Four Apostles mk168
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Albrecht Durer Albrecht Durer-s Four Apostles mk168
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Albrecht Durer Albrecht Durer-s Four Apostles mk168
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Albrecht Durer Head of St.Peter mk168
1526
354x288mm
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Albrecht Durer St. Eustachius MK169
1501 buyer engraving 35.5x25.9cm British Museum Rewarded
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Albrecht Durer Zelfportret MK169
1500 Panel 67x49cm Alte Pinakothek, Munchen
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Albrecht Durer The four apostles MK169
1526 Panel both 216x76.2cm Alte Pinakothek, Munchen
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Albrecht Durer Lobster 263 x 355 mm
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Albrecht Durer Self-portrait mk176
1500
Oil on panel
26x19
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Albrecht Durer Melancholia mk176
9.5x7.5
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Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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